Three works by conductor Felix Weingartner (1863-1942) feature the
title essay, which discusses the performing difficulties and
interpretation questions involved in Beethoven's 9 symphonies. Also
includes "On Conducting" and "The Symphony Since Beethoven," both
attesting to the belief that art is at its best when an
"exceedingly delicate balance is attained between the feeling and
the intellect."
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