Written in secret, the manuscript copied for her publisher in disguised handwriting, Fanny Burney’s first novel Evelina appeared anonymously in 1778. It was a sequel to Caroline Evelyn, the novel burned by its author when she was fifteen; Evelina, the apparently illegitimate daughter of the vanished Caroline, happily enters a society much more dangerous than she realizes. Subtitled The History of a Young Lady’s Entrance into the World the novel records in letters its young heroine’s encounters with society, both high and low, in London and at fashionable watering places.
The novel explores representation and performance, social mores and masks, in a world full of distractions, from overturned coaches to golden automata, from opera to malevolent monkeys. Evelina is also a ‘family romance’, and, as Margaret Anne Doody’s Introduction indicates, it is acutely observant of the social laws regarding power, authority and authorship, which the author herself had to subvert, at least in part, like her naïve letter-writing heroine.
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