Tiki torches, cocktails, la dolce vita, and the music that
popularized them-Mondo Exotica offers a behind-the-scenes look at
the sounds and obsessions of the Space Age and Cold War period as
well as the renewed interest in them evident in contemporary music
and design. The music journalist and radio host Francesco Adinolfi
provides extraordinary detail about artists, songs, albums, and
soundtracks, while also presenting an incisive analysis of the
ethnic and cultural stereotypes embodied in exotica and related
genres. In this encyclopedic account of films, books, TV programs,
mixed drinks, and above all music, he balances a respect for
exotica's artistic innovations with a critical assessment of what
its popularity says about postwar society in the United States and
Europe, and what its revival implies today.Adinolfi interviewed a
number of exotica greats, and Mondo Exotica incorporates material
from his interviews with Martin Denny, Esquivel, the Italian film
composers Piero Piccioni and Piero Umiliani, and others. It begins
with an extended look at the postwar popularity of exotica in the
United States. Adinolfi describes how American bachelors and
suburbanites embraced the Polynesian god Tiki as a symbol of escape
and sexual liberation; how Les Baxter's album Ritual of the Savage
(1951) ushered in the exotica music craze; and how Martin Denny's
Exotica built on that craze, hitting number one in 1957. Adinolfi
chronicles the popularity of performers from Yma Sumac, "the
Peruvian Nightingale," to Esquivel, who was described by Variety as
"the Mexican Duke Ellington," to the chanteuses Eartha Kitt, Julie
London, and Ann-Margret. He explores exotica's many sub-genres,
including mood music, crime jazz, and spy music. Turning to Italy,
he reconstructs the postwar years of la dolce vita, explaining how
budget spy films, spaghetti westerns, soft-core porn movies, and
other genres demonstrated an attraction to the foreign. Mondo
Exotica includes a discography of albums, compilations, and
remixes.
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