Offering a radical re-evaluation of current approaches to performer
training, this is a text that equips readers with a set of new ways
of thinking about and ultimately 'doing' training. Stemming from
his extensive practice and incorporating a review of prevailing
methods and theories, Frank Camilleri focuses on how material
circumstances shape and affect processes of training, devising,
rehearsing and performing. Frank Camilleri puts forward the
'post-psychophysical' as a more extended form of psychophysical
discussion and practice that emerged and dominated in the 20th
century. The 'post-psychophysical' updates the concept of an
integrated bodymind in various ways, such as the notion of a
performer's bodyworld that incorporates technology and the material
world. Offering invaluable introductions to a wide range of
theories around which the book is structured - including
postphenomenological, sociomaterial, affect and situated cognition
- this volume provides readers with an enticing array of critical
approaches to training and creative processes.
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