Next to Handel's Messiah, The Creation is perhaps the most
frequently performed oratorio. This edition is the first to present
the English text as Haydn intended, without the modifications of
twentieth-century editions, and is the version used by Haydn in his
many public renditions of the work using large forces. The keyboard
reduction in this edition is by the Leipzig Cantor A. E. Muller,
termed 'the best [and] most idiomatic' by Haydn himself. Full
details of sources and editorial method, as well as a bibliography,
can be found in the full score. Complete orchestral material and
vocal scores are available on hire/rental, and vocal scores are
available on sale.
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