The interaction between philosophy and theater or performance has
recently become an important and innovative area of inquiry.
"Philosophers and Thespians" contributes to this emerging field by
looking at four direct encounters between philosophers and
thespians, beginning with Socrates, Agathon, and Aristophanes in
Plato's "Symposium" and ending with a discussion between Walter
Benjamin and Bertolt Brecht about a short text by Franz Kafka.
Rokem also examines in detail Hamlet's complex and tragic split
identity as both philosopher and thespian, as well as the intense
correspondence between Friedrich Nietzsche and August Strindberg.
His investigations--which move between the fictional and the
historical--culminate in a comprehensive discussion of the notions
of performance and performativity as derived from the discursive
practices of philosophy and performance. At times competitive or
mutually exclusive, these discourses also merge and engage with
each other in creative ways.
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