Joss Whedon's Serenity (2005) is at once a symbol of failure and a
triumphant success of fan activism. The cult television icon's
feature directorial debut functions as an extension of his canceled
Fox series Firefly. Mourning their loss, fans of the show fought
for more, making Serenity not just a cult film but a monument to
cultdom. A minor box-office success upon first release, Serenity
continues to be a sci-fi favorite, attracting fans, cosplayers, fan
fiction authors, and more to conventions and charity screenings
internationally. This book examines the relationship between the
film and its peculiar cult following, largely established before a
cult object even existed, and situates the film in relation to the
series and its other transmedia continuations to plumb the status
of different media texts and their platforms. Additionally, it
explores those cult features of Serenity-a playful engagement with
genre, with high and low culture, with gender roles-that
predisposed it to such a fierce following, one that would follow
Whedon into future series and blockbuster projects such as The
Avengers.
General
| Imprint: |
Columbia University Press
|
| Country of origin: |
United States |
| Series: |
Cultographies |
| Release date: |
November 2017 |
| Authors: |
Frederick Blichert
|
| Dimensions: |
113 x 178 x 9mm (L x W x T) |
| Format: |
Paperback - Trade
|
| Pages: |
128 |
| ISBN-13: |
978-0-231-18233-1 |
| Categories: |
Books >
Arts & Architecture >
Performing arts >
General
Promotions
|
| LSN: |
0-231-18233-3 |
| Barcode: |
9780231182331 |
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