Josipovici is a novelist (Contre-Jour, 1986), critic, and professor
of English at the Univ. of Sussex, but he approaches his formidable
subject in the best spirit of a true amateur. With a freshness that
comes only of interest, he here investigates the nature of the
Bible and how we might go about reading it. What is the difference
between the Bible and any other book? Is it a coherent whole, or a
"ragbag" of stories, poems, and religious instruction? Josipovici
credits Martin Buber with giving him "a glimpse of how it might be
possible to illuminate the Bible by looking at what it said rather
than what lay behind it." He stays close to the text, then,
illuminating his meditations with comparisons to Kafka, T.S. Eliot,
and Thomas Mann - and with observations from other
literary/biblical critics, including Frank Kermode and Northrop
Frye, and from theologians as well. Always keeping the Bible as a
whole in view, he examines the fundamental elements of rhythm,
speech, and character throughout both the Old and New Testaments. A
subtle and complex work, scrupulously wary of reductionism.
Josipovici's reading reminds us that the Bible can perhaps never be
finally explained and that a true reading such as his enforces an
encounter with oneself as well as with the Bible. (Kirkus Reviews)
Is the Bible one book or a collection of writings? If it is a book,
does it stand as a coherent piece of literature? In this
beautifully written book Gabriel Josipovici answers these
questions, drawing on his deep knowledge and appreciation of
medieval and modern art and literature and on his personal
understanding of the possibilities of narrative. His close textual
analysis of the Bible not only lifts literary-biblical criticism to
a new level but also makes the Bible accessible to our secular age.
'As 'A Resonse to the Bible', 'The Book of God' is fresh and
energetic, scattering insights in all directions, making original
and unexpected connections between the Bible and such modern
authors as Proust, casting new light upon such questions as the
Bible's place in Western culture and the nature of its authority,
the unity and discontinuities of the text, and the need for a
perspective that at once transcends and unites
historical-theological and aesthetic interpretation.'Northrop Frye
'His book is easy, intimate, and direct, partly because he has
digested all his learning, partly because his dissatisfaction with
his predecessors' solutions never belittles them, and partly
because his own readings are those of a cultivated contemporary
who, though respectful, is not awestruck. Whatever he turns to, he
illuminates.' The New Yorker 'Josipovici's insights ...deserve and
need to be pondered by both literary critics and Biblical
scholars.' John Barton, London Review of Books 'His urbane style,
shrewd discernment, subtle humour, and, above all, his passion for
words lead us to listen in fresh ways.' Walter Brueggemann,
Theology Today 'This is a book to be grateful for: thoughtful,
deeply felt, and beautifully written.' David Lodge, Independent
Gabriel Josipovici is a novelist, literary theorist, critic and
scholar. He was Professor of English at the University of Sussex,
and Weidenfeld Professor of Comparative Literature at Oxford, and
is now research professor in the Graduate School of Humanities,
Sussex.
General
Imprint: |
Yale University Press
|
Country of origin: |
United States |
Release date: |
August 1990 |
First published: |
August 1990 |
Authors: |
Gabriel Josipovici
|
Dimensions: |
235 x 156 x 20mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
365 |
Edition: |
New Ed |
ISBN-13: |
978-0-300-04865-0 |
Categories: |
Books
|
LSN: |
0-300-04865-3 |
Barcode: |
9780300048650 |
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