Music and Historical Critique provides a definitive collection of
Gary Tomlinson's influential studies on critical musicology, with
the watchword throughout being history. This collection gathers his
most innovative essays and lectures, some of them published here
for the first time, along with an introduction outlining the
context of the contributions and commenting on their aims and
significance. Music and Historical Critique provides a
retrospective view of the author's achievements in bringing to the
heart of musicological discourse both deep-seated experiences of
the past and meditations on the historian's ways of understanding
them.
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