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Popular Culture as Art and Knowledge - A Critique of Authoritarian Neoliberalism and the Crisis of Democracy (Hardcover)
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Popular Culture as Art and Knowledge - A Critique of Authoritarian Neoliberalism and the Crisis of Democracy (Hardcover)
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This volume settles the debate between analytic and continental
philosophy. It turns to art, more specifically popular culture, to
demonstrate the validity of continental philosophy. Drawing on the
philosophy of Georg Hegel (perhaps the most important of
continental philosophers), James Kreines holds that reason in the
world metaphysically exists. Reasons of the world are reasons of
the Hegelian Absolute. Thus, similar to the fact that gravity is
curves in the space-time continuum along which matter moves -
reasons are the grooves in the Absolute along which human
decision-making occurs. Art allows us to conceptualize, understand,
speculate about the grooves (reasons) of the Absolute. Two key
points can be drawn from Kreines's position: first, normative
values are embedded in reality. Thus, in complete contradistinction
to analytic philosophy, there is no bifurcation between the
empirical and the normative - to exist is to have normative value.
Secondly, the role of social science is to cogitate, explore,
identify the reasons of the world that shape social, political
norms. Such an approach would decisively move the social sciences
away from an emphasis on statistically significant patterns of
human behavior (e.g., voting studies) and toward an approach that
seeks to analyze the reasons of the world that motivate/shape
social and political decisions. Art (particularly popular culture)
becomes an important source in identifying the way that people
reason about the world and how they perceive political elites
reasoning in the world. To adjudicate between continental and
analytic philosophy this book on relies on the broadcast iterations
of Star Trek, as well as Nazi cinema. With regard to contemporary
American politics, in addition to Star Trek, it draws on the
television series Game of Thrones, Veep, House of Cards, and The
Man in the High Castle. Popular culture is germane to philosophy
and contemporary politics because television/movie creators
frequently try to attract viewers by conveying authentic
philosophical and political motifs. Conversely, viewers seek out
authentic movies and television shows. This is in contrast to
opinion surveys (for instance), as the formation of the data begins
with the surveyor seeking to directly solicit an opinion - however
impromptu or shallow.
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