'I meant everything in the book to be related to everything else,' wrote George Eliot of her last novel Daniel Deronda, published in 1876. Daniel Deronda opens with one of the most memorable encounters in fiction: Gwendolen Harleth, alluring yet unsettling, is poised at the roulette-table in Leubronn, observed by Daniel Deronda, a young man groomed in the finest tradition of the English upper-classes, and now searching for his path in life.
While Gwendolen becomes trapped in an oppressive marriage, a series of dramatic encounters draws Deronda into ever deeper sympathy with Jewish aspirations to cultural and natural identity. Remote as Gwendolen's country-house world may seem from the world of Mirah, the lost daughter, and Mordecai, the visionary, George Eliot weaves these strands of her plot intimately together, daring the readers of Adam Bede and Middlemarch to open their eyes to areas of experience wholly new to the Victorian novel.
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