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Enter the Undead Author - Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s (Hardcover)
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Enter the Undead Author - Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s (Hardcover)
Series: The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
Expected to ship within 12 - 17 working days
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Many narratives of theater history suggest that the 1960s marked
the start of a turning away from traditional, script-based,
playwright-centric production practices. Literary studies in this
period began exploring the concept of the "death of the author"
along similar lines. But the author refused to die quietly, and
authorship reasserts itself in even revolutionary and avant-garde
theaters throughout the latter half of the twentieth century. The
model of authorship-valorizing individuality, ownership, and
originality-serves to maintain traditional modes of production that
reproduce and uphold dominant ideologies even when the products
created by those modes of production claim to buck tradition or run
counter to cultural currents. This ideology of authorship plays a
part in playwrights shutting down productions of their own plays,
in the privileging of individual authorship over joint authorship
even in collaborative genres, and in the insistence on originality
even in performance traditions rooted in a shared repertoire. This
tension between the theoretical death of the author and the growth
of actual authors' abilities to control access to and even in some
cases interpretations of their work exposes the deftness with which
dominant ideologies and their attendant modes of production can
repurpose the aesthetics of even countercultural or revolutionary
movements in theater.
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