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Goze - Women, Musical Performance, and Visual Disability in Traditional Japan (Hardcover)
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Goze - Women, Musical Performance, and Visual Disability in Traditional Japan (Hardcover)
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In a tradition extending from the medieval era to the early
twentieth century, visually disabled Japanese women known as goze
toured the Japanese countryside as professional singers and
contributed to the vitality of rural musical culture. The goze sang
unique narratives (many requiring several hours to perform) as well
as a huge repertory of popular ballads and short songs, typically
accompanied by a three-stringed lute known as the shamisen. During
the Edo period (1600-1868) goze formed guild-like occupational
associations and created an iconic musical repertory. They were
remarkably successful in fighting discrimination accorded to women,
people with physical disabilities, the poor, and itinerants, using
their specialized art to connect directly to the commoner public.
The best documented goze lived in Echigo province in the Japanese
northwest. Although their activities peaked in the nineteenth
century, some women continued to tour until the middle of the
twentieth. The last active goze survived until 2005. In Goze: Blind
Women and Musical Performance in Traditional Japan, author Gerald
Groemer argues that goze activism was primarily a matter of the
agency of performance itself. Groemer shows that the solidarity
goze achieved with the rural public through narrative and music was
based on the convergence of the goze's desire to achieve social
autonomy and the wish of lower-class to mitigate the cultural
deprivation to which they were otherwise so often subject. It was
this correlation of emancipatory interests that allowed goze to
flourish and attain a degree of social autonomy. Far from being
pitied as helpless victims, goze were recognized as masterful
artisans who had succeeded in transforming their disability into a
powerful social tool and who could act as agents of widespread
cultural development. As the first full-length scholarly work on
goze in English, this book is sure to prove an invaluable resource
to scholars and students of Japanese culture, Japanese music,
ethnomusicology, and disability studies worldwide.
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