Troubled urban neighborhoods and jazz-club havens were the
backdrop of Gerald Majer's life growing up in sixties and seventies
Chicago. "The Velvet Lounge," an original hybrid of memoir,
biography, and musical description, reflects this history and
pursues a sustained meditation on jazz along with a probing
exploration of race and class and how they defined the material and
psychic divides of a city. With the instrument of a supple, lyrical
prose style, Majer elaborates the book's themes through literary
and intellectual forays as carefully constructed and as
passionately articulated as a jazz master's solo. Throughout the
work, issues of identity and culture, art and politics achieve a
rare immediacy, as does the music itself.
In portraits of Jimmy Smith, Gene Ammons, Sonny Stitt, Sun Ra,
and others, Gerald Majer conveys the drama and artistry of their
music as well as the personal hardships many of them endured. Vivid
descriptions and telling historical anecdotes explore the music's
richness through a variety of political, social, and philosophical
contexts. The Velvet Lounge, named after the famous Chicago club,
is also one of the few works to consider the music of such
avant-garde jazz musicians as Fred Anderson, Andrew Hill, and
Roscoe Mitchell. In doing so, Majer builds a bridge from the
traditionalist view of jazz to the world of contemporary
innovators, casts a new light on the music and its makers, and
traces connections between jazz art and postmodernist thought.
Present throughout Majer's spirited encounters with the worlds
of jazz is Majer himself. We hear and appreciate the music through
his individual sensibilities and experiences. Majer recounts
growing up in racially divided Chicago -- his trips to the famed
Maxwell Street market, his wanderings among its legendary jazz
clubs, his riding the El, and his working in a jukebox factory. We
witness his awakening to the music at a crossroads of the
intimately personal and the intellectually provocative.
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