Do words—their sounds and shapes, their lengths and
patterns—imitate the world? Mimology says they do. First argued
in Plato’s Cratylus more than two thousand years ago, mimology
has left an important mark in virtually every major art and
artistic theory thereafter. Â Fascinating and many-faceted,
mimology is the basis of language sciences and incites occasional
hilarity. Its complicated traditions require a sure grip but a
light touch. One of the few scholars capable of giving mimology
such genial attention is Gérard Genette. Genette treats matters as
basic and staid as the alphabet and as reverberating as the letter
R in ur-linguistics. Â Genette has emerged as one of the two
or three chief literary critics of modern France. He is the major
practitioner of narratological criticism, a pioneer in
structuralism, and a much admired literary historian. His single
most important book, Mimologics bridges mainstream literary history
and Genette’s expertise in critical method by undertaking an
intensive study of the most vexed of literary problems: language as
a representation of reality. Deeply learned, the book draws upon
the traditions—both sane and eccentric—of philosophy,
linguistics, poetics, and comparative literature.
General
Imprint: |
University of Nebraska Press
|
Country of origin: |
United States |
Series: |
Stages |
Release date: |
June 1995 |
First published: |
June 1995 |
Authors: |
Gerard Genette
|
Translators: |
Thais E. Morgan
|
Foreword by: |
Gerald Prince
|
Dimensions: |
229 x 152 x 33mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
446 |
ISBN-13: |
978-0-8032-7044-2 |
Categories: |
Books
|
LSN: |
0-8032-7044-5 |
Barcode: |
9780803270442 |
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