Explores the multiple ways in which Mansfield's fiction resonates
with the landscapes opened up by psychology and psychoanalysis In
line with the recent surge of critical interest in early
psychology, the contributors read Mansfield's work alongside
figures like William James and Henri Bergson, opening up new
perspectives on affect in her work. While these essays trace
strands within the intellectual milieu in which Mansfield came of
age, others explore the intricate interplay between Mansfield's
fiction and Freudian theory, seeing her work as emblematic of the
uncanny doubling of modernist literature and psychoanalysis. Key
Features New readings of Mansfield's work alongside figures like
William James, Theodule Ribot and Henri Bergson New perspectives on
the representation of affect and emotion in Mansfield's fiction The
essays open up novel ways of thinking about fiction of unrivalled
psychological complexity Mansfield's work is shown to be emblematic
of the uncanny doubling of modernist literature and psychoanalysis
General
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