The enduring popularity of Rossini's operas is a testament to their
wit and inventiveness, every overture a superb portrait of each
ensuing drama. There is none more popular than the farcical comedy
of Il barbiere di Siviglia, but themes of flirtation and disguise
can also be found in Il Turco in Italia, contrasting with the
heroism and revenge of Armida and the cunning exploits of Le Comte
Ory.
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