With this fourth and most effervescent entry into his American
Chronicle (Burr, 1876, Lincoln), Vidal has concocted a fine
champagne of historical fiction that plucks a lush heroine off the
Krantz/Sheldon/Steel vine - a brainy beauty who angles her way to
the pinnacle of newspaperdom - and bottles her in the glittering
world of imperial America, vintage 1900. A brood of real-lifers
tromp around heroine Caroline Sanford in this snob's epic, linking
her charmed life with that of the nation at large. As the novel
begins over a silver-service dinner in London, well-born Caroline
shyly trades ripostes with expatriate author Henry James, US
Ambassador to Britain John Hay, and Henry Adams of the Adamses.
These three eiders form a kind of Greek chorus whose sage
observations periodically punctuate the narrative, providing moral
counterweight to the heady world of money and power into which
Caroline - and Vidal - plunge. At the center of this world are two
ambitious men, two superb characters - legendary newspaper magnate
William Randolph Hearst and Teddy Roosevelt - both avid supporters
of the American Empire, whose reach into Cuba, the Philippines, and
Panama constitutes the backdrop against which Vidal daubs his
heroine's life. Caroline's tie to Hearst comes via her half-brother
Blaise, who dupes her out of her share of their inheritance in
order to invest the monies in Hearstian ventures. Riled, Caroline
rounds up cash to buy a paper of her own, the flagging Washington
Tribune, with which she out-sensationalizes Hearst - who's here
depicted as an amoral swine. Surfing a tide of yellow ink to
Olympian heights, she lunches with Astors and Vanderbilts, and
makes pals with Alice Roosevelt and her dad Teddy, a human dynamo
who steals every scene he's in. Along the way, she gets engaged
(but her fiance takes a tumble and dies); gets married (but not to
the man she loves); and takes a lover (by whom she has a son). By
novel's end, she's rich and happy, and America seems to be too; but
as Vidal offers through Hearst's mouth in the last bit of dialogue,
"True history. . .is the final fiction." This lightest of Vidal's
historicals is intelligent, sophisticated entertainment, a giddy
amalgam of fact and imagination that, while short on profundity,
dazzles. (Kirkus Reviews)
Here is the story of arguably America’s finest hour; of the time when the twentieth century dawned, Queen Victoria died, and America, basking deliciously in excess wealth, rather thought it might snap up an empire of its own. Yet while politicians muse over the potential of China or the Philippines – even Russia – empires are being built at home; railway empires; industrial empires; newspaper empires. Into this arena float the delectable Caroline Sanford, putative heiress and definite catch. Caroline is an oddity; she has been raised in France where they teach rich girls to talk and think. American society women, required only to think of themselves as the most interesting beings on earth, are rather alarmed. American men are amused – until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity – a powerful woman. Mingling with the movers and shakers of the day – with President McKinley, Theodore Roosevelt, William Randolf Hearst, Henry James, the Astors, Vanderbilts and Whitneys – Caroline Sanford echoes the glorious passage of the United States as it sweeps into a new century, reaching boldly for the world.
General
Imprint: |
Abacus
|
Country of origin: |
United Kingdom |
Series: |
Narratives of empire |
Release date: |
April 1994 |
Authors: |
Gore Vidal
|
Dimensions: |
196 x 131 x 37mm (L x W x T) |
Format: |
Paperback - B-format
|
Pages: |
576 |
Edition: |
New edition |
ISBN-13: |
978-0-349-10528-4 |
Categories: |
Books >
Fiction >
Genre fiction >
Historical fiction
Promotions
|
LSN: |
0-349-10528-6 |
Barcode: |
9780349105284 |
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