National Identity and the British Musical: From Blood Brothers to
Cinderella examines the myths associated with national identity
which are reproduced by the British musical and asks why the genre
continues to uphold, instead of challenging, outdated ideals. All
too often, UK musicals reinforce national identity clichés and
caricatures, conflate ‘England’ with ‘Britain’ and depict a
mono-cultural nation viewed through a nostalgic lens. Through case
studies and analysis of British musicals such as Blood Brothers,
Six, Half a Sixpence and Billy Elliot, this book examines the place
of the British musical within a text-based theatrical heritage and
asks what, or whose, Britain is being represented by home grown
musicals. The sheer number of people engaging with shows bestows
enormous power upon the genre and yet critics display a reluctance
to analyse the cultural meanings produced by new work, or to hold
work to account for production teams and narratives which continue
to shun diversity and inclusive practices. The question this book
poses is: what kind of industry do we want to see in Britain in the
next ten years? And what kind of show do we want representing the
nation in the future?
General
Imprint: |
Methuen Drama
|
Country of origin: |
United Kingdom |
Release date: |
August 2022 |
Authors: |
Grace Barnes
|
Dimensions: |
216 x 138 x 21mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
272 |
ISBN-13: |
978-1-350-24353-8 |
Categories: |
Books >
Arts & Architecture >
General
Promotions
|
LSN: |
1-350-24353-1 |
Barcode: |
9781350243538 |
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