In Beyond the Sovereign Self Grant H. Kester continues the critique
of aesthetic autonomy begun in The Sovereign Self, showing how
socially engaged art provides an alternative aesthetic with greater
possibilities for critical practice. Instead of grounding art in
its distance from the social, Kester shows how socially engaged
art, developed in conjunction with forms of social or political
resistance, encourages the creative capacity required for
collective political transformation. Among others, Kester analyzes
the work of conceptual artist Adrian Piper, experimental practices
associated with the escrache tradition in Argentina, and indigenous
Canadian artists such as Nadia Myer and Michèle Taïna Audette,
showing how socially engaged art catalyzes forms of resistance that
operate beyond the institutional art world. From the Americas and
Europe to Iran and South Africa, Kester presents a historical
genealogy of recent engaged art practices rooted in a deep history
of cultural production, beginning with nineteenth-century political
struggles and continuing into contemporary anticolonial resistance
and other social movements.
General
Imprint: |
Duke University Press
|
Country of origin: |
United States |
Release date: |
December 2023 |
First published: |
2024 |
Authors: |
Grant H. Kester
|
Dimensions: |
229 x 152mm (L x W) |
Pages: |
296 |
ISBN-13: |
978-1-4780-2534-4 |
Categories: |
Books
Promotions
|
LSN: |
1-4780-2534-4 |
Barcode: |
9781478025344 |
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