Carl Andre is one of the most significant and influential artists
of his generation. Alongside contemporaries such as Robert Morris
and Donald Judd, his radically minimalist sculpture and poetry has
fundamentally shifted the definitions and boundaries of art.
Spanning four decades, this book charts the gradual evolution of
consensus about the meaning of his art. The most significant essays
and exhibition reviews have been collated into one volume,
including texts written by some of the most influential art
historians and critics: Clement Greenberg, Donald Kuspit, Lucy R.
Lippard, Robert C. Morgan, Barbara Rose and Roberta Smith. Some
essays appear here in English for the first time. This volume is an
indispensable anthology on one of the central figures of
Minimalism.
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