The very multifaceted artist Max Slevogt had contact with many
different circles. As a leading member of the Berlin Secession and
then the Prussian Academy of Art, he had an outstanding network and
was a central figure on the art scene in Germany from the turn of
century until the 1920s. The texts in the book situate Max Slevogt
within the intellectual history of the late German Empire and the
Weimar Republic and thus attempt to classify his work from the
perspective of art and cultural history. Max Slevogt's extremely
complex artistic practice is described based its intellectual,
material, and communicative requirements. The constitution of his
oeuvre and his identity as an artist hence go hand in hand and, as
netlike structures, give rise to reciprocal interactions.
General
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