The Likeness is a close ethnographic study of subjectivity in the
former Yugoslav republic of Slovenia. In this highly imaginative
work, the author argues that much of what matters in Slovenia plays
out on surfaces-of people and things, systems and
locations-rendering the complexity of expression external and
legible, but rarely unique or original. Here likenesses are
everywhere in bloom and powerfully deployed. Moving blithely from
Slovenia's most famous thinkers to its most confounding artists,
from grammatical categories of number to the particularities of
history, The Likeness explores alternative modes of self-expression
as postsocialist Slovenia gains visibility on the world stage.
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