Part of the acclaimed 'Documents of Contemporary Art' series of
anthologies . Intrinsically collaborative, the magazine is an
inherently `open' form, generating constantly evolving
relationships. This anthology contextualizes the artist's magazine,
surveying the art worlds it has by turns created and superseded;
the commercial media forms it has critically appropriated,
intervened in or subverted; the alternative, DIY cultures it has
brought into being; and the expanded fields of cultural production,
exchange and distribution it continues to engender. Surveying case
studies of transformational magazines from the early 1960s onwards,
this book also includes a wide-ranging archive of key editorial
statements, from eighteenth-century Weimar to twenty-first century
Bangkok, Cape Town and Delhi. Artists surveyed include: Can Altay,
Ei Arakawa, Julieta Aranda, Tania Bruguera, Maurizio Cattelan,
Eduardo Costa, Dexter Sinister, Rimma Gerlovina, Valeriy Gerlovin,
Robert Heinecken, John Holmstrom, John Knight, Silvia Kolbowski,
Lee Lozano, Josephine Meckseper, Clemente Padin, Raymond Pettibon,
Adrian Piper, Seth Price, Raqs Media Collective, Riot Grrrl, Martha
Rosler, Sanaa Seif, Rirkrit Tiravanija, Scott Treleaven, Triple
Canopy and Anton Vidokle. Writers include: Saul Anton, Stuart
Brand, Jack Burnham, Johanna Burton, Thomas Crow, Edit DeAk,
Kenneth Goldsmith, Jurgen Habermas, Martina Koeppel-Yang, Antje
Krause-Wahl, Lucy Lippard, Caolan Madden, Valentina Parisi,
Howardena Pindell, Georg Schoellhammer, Nancy Spector, Sally Stein,
Reiko Tomii, Jud Yalkut and Vivian Ziherl.
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