Picture theories are today a subject of broad interest to scholars,
for the relationship between concept and picture, between thought
and viewing, is among the commonest themes of the history of
European thought, and already in Antiquity a multitude of solutions
to the problem were discussed. The aim of this book is to elucidate
the peculiarity of the relationship between viewing and concept
analysed by Plato and Aristotle; to compare the theories of art and
poetry initially conceived about 300BC, and which reached full
development under the Roman Empire; and to expound modern concepts
of viewing not only with forms of reception, but also the
transformation of ancient theories of visual art.
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