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The Rhetoric of Perspective - Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting (Hardcover, 2nd ed.)
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The Rhetoric of Perspective - Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting (Hardcover, 2nd ed.)
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Perspective determines how we, as viewers, perceive painting. We
can convince ourselves that a painting of a bowl of fruit or a man
in a room appears to be real by the ways these objects are
rendered. Likewise, the trick of perspective can prevent us from
being absorbed in a scene. Connecting contemporary critical theory
with close readings of seventeenth-century Dutch visual culture,
"The Rhetoric of Perspective" puts forth the claim that painting is
a form of thinking and that perspective functions as the language
of the image.
Aided by a stunning full-color gallery, Hanneke Grootenboer
proposes a new theory of perspective based on the phenomenological
aspects of non-narrative still-life, trompe l'oeil, and anamorphic
imagery. Drawing on playful and mesmerizing baroque images,
Grootenboer characterizes what she calls their "sophisticated
deceit," asserting that painting is more about visual
representation than about its supposed objects. Grootenboer
demonstrates how these paintings--ones that are often marginalized
by art historical discourse--skillfully articulate the complexities
of the visual and, consequently, gain new relevance in the context
of recent interest in visual theory.
Offering an original theory of perspective's impact on pictorial
representation, the act of looking, and the understanding of truth
in painting, Grootenboer shows how these paintings both question
the status of representation and explore the limits and credibility
of perception.
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