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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800

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The Rhetoric of Perspective - Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting (Hardcover, 2nd ed.) Loot Price: R2,944
Discovery Miles 29 440
The Rhetoric of Perspective - Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting (Hardcover, 2nd ed.):...

The Rhetoric of Perspective - Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting (Hardcover, 2nd ed.)

Hanneke Grootenboer

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Loot Price R2,944 Discovery Miles 29 440 | Repayment Terms: R276 pm x 12*

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Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the ways these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, "The Rhetoric of Perspective" puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image.
Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Grootenboer demonstrates how these paintings--ones that are often marginalized by art historical discourse--skillfully articulate the complexities of the visual and, consequently, gain new relevance in the context of recent interest in visual theory.
Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception.

General

Imprint: University of Chicago Press
Country of origin: United States
Release date: May 2005
First published: May 2005
Authors: Hanneke Grootenboer
Dimensions: 235 x 158 x 2mm (L x W x T)
Format: Hardcover
Pages: 246
Edition: 2nd ed.
ISBN-13: 978-0-226-30968-2
Categories: Books > Arts & Architecture > The arts: general issues > Theory of art
Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes > General
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LSN: 0-226-30968-1
Barcode: 9780226309682

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