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Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces - Reception, Enthusiasm, Cult (Hardcover) Loot Price: R2,577
Discovery Miles 25 770
Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces - Reception, Enthusiasm, Cult (Hardcover):...

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces - Reception, Enthusiasm, Cult (Hardcover)

Hannu Salmi

Series: Eastman Studies in Music

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Loot Price R2,577 Discovery Miles 25 770 | Repayment Terms: R242 pm x 12*

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An exploration of how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region. Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces explores how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region and how excerpts fromthem were arranged for amateur performances in private homes. Wagner's music and his polemical writings aroused lively discussion around the Baltic, as they did everywhere else in the Western world. Thanks to detailed accounts innewspapers, journals, contemporary literature, and writings of music historians [including some by Sibelius's teacher and friend Martin Wegelius], we are privileged, in Hannu Salmi's book, to "listen in" on these debates, which often deal with crucial questions of national self-determination and of cultural independence from Europe. This text reveals the surprising extent to which music lovers and operagoers from the various countries, many of them women, traveled to Wagner's Bayreuth Festival to attend performances. It also reconstructs the imaginative and patient efforts by which confirmed Wagnerians established Wagner societies in order to promote an understanding of the composer's work. Each country, each city, each local composer and conductor shows a distinctive approach -- welcoming, resistant, or some of each -- to the challenge of Wagner. In the process, we see music history and cultural history in the making. Hannu Salmi is Professor of Cultural History at the University of Turku, author of Imagined Germany: Richard Wagner's National Utopia, and an editorial board member of wagnerspectrum.

General

Imprint: University of Rochester Press
Country of origin: United States
Series: Eastman Studies in Music
Release date: November 2005
First published: 2005
Authors: Hannu Salmi
Dimensions: 229 x 152 x 25mm (L x W x T)
Format: Hardcover
Pages: 327
ISBN-13: 978-1-58046-207-5
Categories: Books > Arts & Architecture > Music > General
Books > Music > General
LSN: 1-58046-207-3
Barcode: 9781580462075

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