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Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces - Reception, Enthusiasm, Cult (Hardcover)
Loot Price: R2,577
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Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces - Reception, Enthusiasm, Cult (Hardcover)
Series: Eastman Studies in Music
Expected to ship within 12 - 17 working days
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An exploration of how Wagner's operas were performed and received
in the theaters of Stockholm and other cities of the region. Wagner
and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic
Provinces explores how Wagner's operas were performed and received
in the theaters of Stockholm and other cities of the region and how
excerpts fromthem were arranged for amateur performances in private
homes. Wagner's music and his polemical writings aroused lively
discussion around the Baltic, as they did everywhere else in the
Western world. Thanks to detailed accounts innewspapers, journals,
contemporary literature, and writings of music historians
[including some by Sibelius's teacher and friend Martin Wegelius],
we are privileged, in Hannu Salmi's book, to "listen in" on these
debates, which often deal with crucial questions of national
self-determination and of cultural independence from Europe. This
text reveals the surprising extent to which music lovers and
operagoers from the various countries, many of them women, traveled
to Wagner's Bayreuth Festival to attend performances. It also
reconstructs the imaginative and patient efforts by which confirmed
Wagnerians established Wagner societies in order to promote an
understanding of the composer's work. Each country, each city, each
local composer and conductor shows a distinctive approach --
welcoming, resistant, or some of each -- to the challenge of
Wagner. In the process, we see music history and cultural history
in the making. Hannu Salmi is Professor of Cultural History at the
University of Turku, author of Imagined Germany: Richard Wagner's
National Utopia, and an editorial board member of wagnerspectrum.
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