"Paradigms for a Metaphorology may be read as a kind of
beginner's guide to Blumenberg, a programmatic introduction to his
vast and multifaceted oeuvre. Its brevity makes it an ideal point
of entry for readers daunted by the sheer bulk of Blumenberg's
later writings, or distracted by their profusion of historical
detail. Paradigms expresses many of Blumenberg's key ideas with a
directness, concision, and clarity he would rarely match elsewhere.
What is more, because it served as a beginner s guide for its
author as well, allowing him to undertake an initial survey of
problems that would preoccupy him for the remainder of his life, it
has the additional advantage that it can offer us a glimpse into
what might be called the 'genesis of the Blumenbergian world. "
from the Afterword by Robert Savage
What role do metaphors play in philosophical language? Are they
impediments to clear thinking and clear expression, rhetorical
flourishes that may well help to make philosophy more accessible to
a lay audience, but that ought ideally to be eradicated in the
interests of terminological exactness? Or can the images used by
philosophers tell us more about the hopes and cares, attitudes and
indifferences that regulate an epoch than their carefully
elaborated systems of thought?
In Paradigms for a Metaphorology, originally published in 1960
and here made available for the first time in English translation,
Hans Blumenberg (1920 1996) approaches these questions by examining
the relationship between metaphors and concepts. Blumenberg argues
for the existence of "absolute metaphors" that cannot be translated
back into conceptual language. These metaphors answer the
supposedly naive, theoretically unanswerable questions whose
relevance lies quite simply in the fact that they cannot be brushed
aside, since we do not pose them ourselves but find them already
posed in the ground of our existence. They leap into a void that
concepts are unable to fill.
An afterword by the translator, Robert Savage, positions the
book in the intellectual context of its time and explains its
continuing importance for work in the history of ideas."
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