Newly adapted for the Anglophone reader, this is an excellent
translation of Hans-Thies Lehmann 's groundbreaking study of the
new theatre forms that have developed since the late 1960s, which
has become a key reference point in international discussions of
contemporary theatre.
In looking at the developments since the late 1960s, Lehmann
considers them in relation to dramatic theory and theatre history,
as an inventive response to the emergence of new technologies, and
as an historical shift from a text-based culture to a new media age
of image and sound.
Engaging with theoreticians of 'drama' from Aristotle and
Brecht, to Barthes and Schechner, the book analyzes the work of
recent experimental theatre practitioners such as Robert Wilson,
Tadeusz Kantor, Heiner M ller, the Wooster Group, Needcompany and
Societas Raffaello Sanzio.
Illustrated by a wealth of practical examples, and with an
introduction by Karen J rs-Munby providing useful theoretical and
artistic contexts for the book, Postdramatic Theatre is an
historical survey expertly combined with a unique theoretical
approach which guides the reader through this new theatre
landscape.
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