The oeuvre of the Albanian artist and prime minister Edi Rama is
inseparable from his political career. During telephone
con-ferences and meetings, he does drawings and watercolors on the
copies of his schedule, his work notes, on minutes, faxes, and
other pieces of correspondence. The art he produces in the environs
of national power forms an abstract journal, a vivid recording of
political life and the everyday tensions be-tween power and art.
Work is the first publication to present the drawings, ceramic
sculptures, and a tapestry, which was inspired by a similar
tapestry in Rama’s office in Tirana. Made up of more than seven
hundred of Rama’s drawings, the tap-estry runs throughout the
entire book, creating an immanent connection between his works.
Besides essays on Rama’s work, the book also features a
conversation with the artis
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