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One Night Stand Series, 1-1001 (Hardcover, New)
Loot Price: R2,526
Discovery Miles 25 260
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One Night Stand Series, 1-1001 (Hardcover, New)
Series: Discographies: Association for Recorded Sound Collections Discographic Reference
Expected to ship within 10 - 15 working days
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The One Night Stand Series broadcasts from 1943 to 1965 made the
United States Armed Forces Radio Service the biggest music producer
the world has ever known. Played over both military and civilian
radio stations in many countries, most Armed Forces Radio Service
rebroadcasts were sheer entertainment but they kept memories of
home alive for American Service men and women around the globe. The
30-minute One Night Stand transcriptions included live broadcasts
or remotes from all the popular ballrooms and hotels in the United
States. Every type of band such as Hawaiian, Latin, novelty, sweet,
dance, swing, jazz, large, small, black, and white was represented.
Found here is the Regular Series up to 1001--to round off a
mastering week. The Fill Series and the Popular Music Replacement
Series, also found here, ran concurrently with the main series. A
small number of transcriptions missing from the official libraries
have not been included but otherwise compilers Harry Mackenzie and
Lothar Polomski have gathered together every available shred of
information for this exhaustive volume. Besides a history of the
Armed Forces Radio Service and the Regular, Fill, and Popular
series, the book contains a list of unidentified programs, five
separate appendixes, and two indexes. The book begins with an
extensively researched history of the Special Service Division of
the Armed Forces that oversaw the production of the transcribed
broadcasts and facilitated their distribution globally. Included
here is a detailed discussion of the methods and materials of
transcription and reproduction as well as a history of the American
Forces Network: its spread and current status. Then follow the
discographies for the Regular Series, Fill Series, Popular Music
Replacement Series, and Unidentified Programmes. Five appendixes
contain information such as location addresses, a directory of
bandleaders, themes, and commercial issues by country of origin.
There are also two separate band indexes. This is a singular
reference for anyone seeking information about the music of the
World War II and post-war eras.
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