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Keepers Recital - Music and Cultural History in Ireland 1770-1970 (Paperback, New) Loot Price: R790
Discovery Miles 7 900
Keepers Recital - Music and Cultural History in Ireland 1770-1970 (Paperback, New): Harry White

Keepers Recital - Music and Cultural History in Ireland 1770-1970 (Paperback, New)

Harry White

Series: Critical Conditions: Field Day Essays and Monographs

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Loot Price R790 Discovery Miles 7 900 | Repayment Terms: R74 pm x 12*

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This is the first study to survey the development of musical thought in modern Irish cultural history. It registers the function of music as a dynamic agent in the history of Irish ideas in the period 1770 - 1970. Ireland's verbally dominated culture has depended on music throughout its evolution, but the presence of music - to say nothing of its impact on the formation of Irish cultural thought - has been hitherto scarcely recognised. The Keeper's Recital attempts to redress this neglect by examining the role of music in Ireland's notably polarised cultural matrix by means of three prevailing themes: the integrity of sectarian culture, the political expression of cultural autonomy and the symbolic force of celticism. The book traces the development and cultural dislocation of music in Ireland from the late eighteenth century to the death of Sean O Riada and it thereby identifies the function and status of music in those cultural and political ideologies of nationalism, colonialism and revival which it helped to foster. Although The Keeper's Recital is primarily concerned with such figures as Turlough Carolan, Edward Bunting, Thomas Moore, Thomas Davis, George Petrie, Douglas Hyde, Heinrich Bewerunge, Charles Villiers Stanford, Arnold Bax and Sean O Riada, its scrutiny of the condition of music in Irish cultural history notably embraces Irish political and literary thought throughout the period 1770-1970. While not offered as a history of music in Ireland, it engages with the principal themes of that history in order to identify and distinguish between the symbolic power of Irish music (particularly in terms of its preservation) and its failure to generate a durable aesthetic of comparable significance to that which infused the Literary Revival.

General

Imprint: University of Notre Dame Press
Country of origin: United States
Series: Critical Conditions: Field Day Essays and Monographs
Release date: July 1998
First published: 1998
Authors: Harry White
Dimensions: 233 x 161 x 17mm (L x W x T)
Format: Paperback
Pages: 227
Edition: New
ISBN-13: 978-0-268-01232-8
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Music > Theory of music & musicology > General
LSN: 0-268-01232-6
Barcode: 9780268012328

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