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Inventing the Classics - Modernity, National Identity, and Japanese Literature (Paperback)
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Inventing the Classics - Modernity, National Identity, and Japanese Literature (Paperback)
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Today the term "Japanese literary classics" implies such texts as
the Man'yoshu, Kojiki, Tale of Genji, Tale of the Heike, Noh drama,
and the works of Saikaku, Chikamatsu, and Basho, which are
considered the wellspring and embodiment of Japanese tradition and
culture. Most of these texts, however, did not become "classics"
until the end of the nineteenth century, in a process closely
related to the emergence of Japan as a modern nation-state and to
the radical reconfiguration of notions of literature and learning
under Western influence. As in Europe and elsewhere, the
construction of a national literature and language with a putative
ancient lineage was critical to the creation of a distinct
nation-state. This book addresses the issue of national identity
and the ways in which modern European disciplinary notions of
"literature" and genres played a major role in the modern
canonization process. These "classics" did not have inherent,
unchanging value; instead, their value was produced and reproduced
by various institutions and individuals in relation to
socio-economic power. How then were these texts elevated and used?
What kinds of values were given to them? How was this process
related to larger social, political, and religious configurations?
This book, which looks in depth at each of the major "classics,"
explores these questions in a broad historical context, from the
medieval period, when multiple canons competed with each other,
through the early modern and modern periods. Throughout, the essays
focus on the roles of schools, commentators, and socio-religious
institutions, and on issues of gender. The result is a new view of
the transformation of the Japanese canon and its intimate
connection with the issue of national and cultural identity.
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