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Inventing William of Norwich - Thomas of Monmouth, Antisemitism, and Literary Culture, 1150–1200 (Hardcover)
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Inventing William of Norwich - Thomas of Monmouth, Antisemitism, and Literary Culture, 1150–1200 (Hardcover)
Series: The Middle Ages Series
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William of Norwich is the name of a young boy purported to have
been killed by Jews in or about 1144, thus becoming the victim of
the first recorded case of such a ritual murder in Western Europe
and a seminal figure in the long history of antisemitism. His story
is first told in Thomas of Monmouth's The Life and Miracles of
William of Norwich, a work that elaborates the bizarre allegation,
invented in twelfth-century England, that Jews kidnapped Christian
children and murdered them in memory and mockery of the crucifixion
of Christ. In Inventing William of Norwich Heather Blurton
resituates Thomas's account by offering the first full analysis of
it as a specifically literary work. The second half of the twelfth
century was a time of great literary innovation encompassing an
efflorescence of saints' lives and historiography, as well as the
emergence of vernacular romance, Blurton observes. She examines The
Life and Miracles within the framework of these new textual
developments and alongside innovations in liturgical and devotional
practices to argue that the origin of the ritual murder accusation
is imbricated as much in literary culture as it is in the realities
of Christian-Jewish relations or the emergence of racially based
discourses of antisemitism. Resisting the urge to interpret this
first narrative of the blood libel with the hindsight knowledge of
later developments, she considers only the period from about
1150-1200. In so doing, Blurton redirects critical attention away
from the social and economic history of the ritual murder
accusation to the textual genres and tastes that shaped its forms
and themes and provided its immediate context of reception. Thomas
of Monmouth's narrative in particular, and the ritual murder
accusation more generally, were strongly shaped by literary
convention.
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