In Fashioning Spaces, Heidi Brevik-Zender argues that in the
years between 1870 and 1900 the chroniclers of Parisian modernity
depicted the urban landscape not just in public settings such as
boulevards and parks but also in "dislocations," spaces where the
public and the intimate overlapped in provocative and subversive
ways. Stairwells, theatre foyers, dressmakers' studios, and
dressing rooms were in-between places that have long been
overlooked but were actually marked as indisputably modern through
their connections with high fashion. Fashioning Spaces engages with
and thinks beyond the work of critics Charles Baudelaire and Walter
Benjamin to arrive at new readings of the French capital.
Examining literature by Zola, Maupassant, Rachilde, and others,
as well as paintings, architecture, and the fashionable garments
worn by both men and women, Brevik-Zender crafts a compelling and
innovative account of how fashion was appropriated as a way of
writing about the complexities of modernity in fin-de-siecle
Paris.
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