The book series Theatrum Scientiarum compiles original studies at
the interface of philosophy, the history of science, cultural
studies and theatre studies. Now the 4th volume is published,
Traces of the Avant-garde: Theatrum machinarum, focusing on the
origins of the machine paradigm and its cultural establishment in
the 17th century from the perspective of the avant-garde obsession
with machinery. The aesthetic, epistemological and political
factors established with this paradigm are analysed from the
perspective of the artistic and artful questioning of the
mechanical in the 20th and 21st centuries.
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