Common wisdom has it that a picture is worth a thousand words, but
in this series of paintings artist Samuel Bak wonders: can a word
be worth a thousand pictures? Words are constructed from letters,
which stem from hieroglyphic representations of the world around
us. The use of letters, words, and sentences in art is not the
domain only of comics and cartoons. Examples exist in medieval art,
in the art of the post-Impressionists, the Cubists, the Dadaists,
the Conceptualists, and more. Bak has always integrated letters and
words into his art, incorporating both Hebrew and English
characters, cleverly visualizing turns of phrase, and playing on
multiple meanings and double entendres. In this series, the letters
of the word hope appear in various conditions and ambiguous
states—sometimes monumental, sometimes disguised, unnaturally
large or unusually small, at times solid and whole, at other times
broken and in disarray. They are both impish and foreboding,
sometimes clearly presented and other times defying order or even
recognition. They are wounded yet resilient, detached but seeking
connection. Four simple letters—H, O, P, E—belie the
significance and complexity of the word they spell. Is hope
something we find or something we build? We dwell in a world that
shapes us as we shape it and this interactive dimension applies to
the feeling of hope, familiar to every human being who has ever
anticipated, wished, or expected. For Bak, the work of building
hope, or believing in the hope that others offer, requires engaging
with the discarded and broken pieces of a previously trusted world
now irrevocably shattered by the Holocaust. In landscapes, still
lifes, and figural works, Bak gathers the layered elements of hope
for us to contemplate and reminds us that they hold within and
among them a promise for rebuilding and renewal. At best, hope is a
wager of trust embodied in the venture of going forth. In his
essay, Henry Knight guides us through the multivalent forms of hope
in Bak’s work, asks us to question what we see and look beyond
the visible, endeavors to define what hope after the Holocaust
looks like, and teaches us that the process of creation after
destruction represented by Bak’s work is itself the ultimate act
of hope.
General
Imprint: |
Pucker Art Publications
|
Country of origin: |
United Kingdom |
Release date: |
November 2022 |
Authors: |
Henry F. Knight
|
Dimensions: |
279 x 216 x 18mm (L x W x T) |
Format: |
Hardcover - Sewn / Cloth over boards
|
Pages: |
112 |
ISBN-13: |
978-1-879985-30-8 |
Categories: |
Books
Promotions
|
LSN: |
1-879985-30-6 |
Barcode: |
9781879985308 |
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