The tradition of Persian art music embodies twelve modal systems,
known as dastgahs. Each dastgah represents a complex of skeletal
melodic models on the basis of which a performer produces
extemporised pieces. The dastgahs revolve around unspecified
central nuclear melodies which the individual musician comes to
know through experience and absorption. It is a personal and
elusive tradition of great subtlety and depth. Through extensive
research, including interviews with leading musicians and recording
over one hundred hours of music, Hormoz Farhat has unravelled the
art of the dastgah. In his study Professor Farhat analyses the
intervallic structure, melodic patterns, modulations, and
improvisations within each dastgah, and examines the composed
pieces which have become a part of the classical repertoire in
recent times.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
July 2004 |
First published: |
1990 |
Authors: |
Hormoz Farhat
|
Dimensions: |
247 x 189 x 13mm (L x W x T) |
Format: |
Book
|
Pages: |
216 |
Edition: |
Revised |
ISBN-13: |
978-0-521-54206-7 |
Categories: |
Books >
Arts & Architecture >
Music >
Folk music
Books >
Music >
Folk music
|
LSN: |
0-521-54206-5 |
Barcode: |
9780521542067 |
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