First published in 1927. The main argument in this book is that
Shakespeare's work is of such intense vitality that it is always
modern and that although historical associations may have grown up
round it, considerations of the works that grew out of it, or the
works that it derives from, are pure irrelevancies. The author
maintains that the quality of Shakespeare's achievement has never
been surpassed and that all other considerations - date, time,
place, conditions of production and historical significance of his
plays - have no bearing whatsoever.
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