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Hip-Hop Japan - Rap and the Paths of Cultural Globalization (Paperback, New Ed)
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Hip-Hop Japan - Rap and the Paths of Cultural Globalization (Paperback, New Ed)
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In this lively ethnography Ian Condry interprets Japan's vibrant
hip-hop scene, explaining how a music and culture that originated
halfway around the world is appropriated and remade in Tokyo clubs
and recording studios. Illuminating different aspects of Japanese
hip-hop, Condry chronicles how self-described "yellow B-Boys"
express their devotion to "black culture," how they combine the
figure of the samurai with American rapping techniques and gangsta
imagery, and how underground artists compete with pop icons to
define "real" Japanese hip-hop. He discusses how rappers manipulate
the Japanese language to achieve rhyme and rhythmic flow and how
Japan's female rappers struggle to find a place in a male-dominated
genre. Condry pays particular attention to the messages of emcees,
considering how their raps take on subjects including Japan's
education system, its sex industry, teenage bullying victims turned
schoolyard murderers, and even America's handling of the war on
terror.Condry attended more than 120 hip-hop performances in clubs
in and around Tokyo, sat in on dozens of studio recording sessions,
and interviewed rappers, music company executives, music store
owners, and journalists. Situating the voices of Japanese artists
in the specific nightclubs where hip-hop is performed-what
musicians and fans call the genba (actual site) of the scene-he
draws attention to the collaborative, improvisatory character of
cultural globalization. He contends that it was the pull of
grassroots connections and individual performers rather than the
push of big media corporations that initially energized and
popularized hip-hop in Japan. Zeebra, DJ Krush, Crazy-A, Rhymester,
and a host of other artists created Japanese rap, one performance
at a time.
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