?Frenzy (1972) was Alfred Hitchcock's penultimate film, and
arguably one of his most misunderstood and neglected. Whereas even
Psycho (1960) did eventually become respectable - indeed, it's a
good contender for the most admired of the Master's films - Frenzy
still remains problematic for many. While Raymond De Foery makes
his feelings clear in the title of his book, Alfred Hitchcock's
Frenzy: The Last Masterpiece, Hitchcock's controversial biographer
Donald Spoto calls the film "repulsive" and "a closed and coldly
negative vision of human possibility". Frenzy is perhaps
Hitchcock's most nakedly autobiographical film and one which
represented both a comeback and farewell to the city of his birth.
But it started out as a very different kind of project. This
Devil's Advocate discusses the evolution of the film, its
production, reception, and place in Hitchcock's oeuvre, as well as
its status as, the author argues, a key film of 'sleazy Seventies'
British cinema.
General
Imprint: |
Auteur Publishing
|
Country of origin: |
United Kingdom |
Release date: |
April 2017 |
Authors: |
Ian Cooper
|
Dimensions: |
191 x 139 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
110 |
ISBN-13: |
978-1-911325-36-9 |
Subtitles: |
English
|
Categories: |
Books >
Arts & Architecture >
General
Promotions
|
LSN: |
1-911325-36-1 |
Barcode: |
9781911325369 |
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