This collection of essays addresses the question of lucidity as a
thematic in literature and film but also as a quality of both
expression and insight in literary criticism and critical thought
more generally. The essays offer treatments of lucidity in itself
and in relation to its opposites, forms of obscurity and darkness.
They offer attention to problems of philosophical thought and
reason, to questions of literary and poetic form, and of
photographic and filmic contemplation. Ranging from engagements
with early modern writing through to more recent material the
contributions focus in particular on nineteenth- and
twentieth-century French prose and poetry, the field which has been
the predominant focus of Alison Finch's critical writing. They are
written as tributes to the distinctively lucid insights of her work
and to the breadth and clarity of its intellectual engagement.
General
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