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Mozart's Cosi fan tutte - A Compositional History (Hardcover)
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Mozart's Cosi fan tutte - A Compositional History (Hardcover)
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An outstandingly significant feat of Mozart scholarship.... A
fundamental reassessment of the early history of CosA� fan tutte
and a major contribution to its critical evaluation as a work of
art. The author's scrutiny of the autograph score unleashes a
torrent of information on how Mozart composed the opera, how he
changed his mind or felt compelled to change his mind, how the
nature of the work itself changed and, most startlingly, a frank
exposure of its many unresolved issues. The detective work has the
thrill of the chase, but the material will appeal beyond Mozart
scholars to opera historians, biographers, musicologists,
producers, conductors, performers, and those involved in
performance practice. Professor DAVID WYN JONES, Cardiff
University. This study proposes a hypothesis to account for some of
the opera's long-standing 'problems'. It suggests that Mozart
considered the idea that the pairings in Act II should not be
crossed: that each of the two disguised officers should seek to
seduce his own woman. Although this alternative plot structure was
rejected, signs of it may remain in the final score, in the uneasy
co-existence of dramatic duplicity and musical sincerity, and in
the ending, in which the easy restitution of the original couples
seems not to take account of the new passions that have been
aroused. Evidence that several of the singers were re-cast is also
presented. In addition to these radically new ideas about the
conceptual genesis of CosA�, the book also provides a full account
of the work's compositional history, based on early Viennese and
Bohemian copies. Four different versions are identified, including
a significant revision in which Mozart removed the ActII finale
canon. The composer's probable involvement in the 1791 Prague
production is also discussed. IAN WOODFIELD is Professor of
Historical Musicology, School of Music and Sonic Arts, Queen's
University Belfast.
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