'Thrilling, haunting and darkly beautiful. This Wild, Wild Country
enchants as mysteries deepen and secrets echo over the harsh
realities of the American Dream' Chris Whitaker, bestselling author
of We Begin at the End Three women. An isolated town. A decades-old
mystery. They hate me down there, in Boldville. I can read it in
their eyes, smell it on their noxious breaths. That dreaded little
town hates everything about me: not just my personality and form,
the clothes I wear, but the way I think. The things that I know.
1933. Cornelia Stover is headstrong and business-minded - not the
kind of woman the men of Boldville, New Mexico, expect her to be.
Then she stumbles upon a secret hidden out in the hills . . . 1970.
Decades later, Joanna Riley, a former cop, packs up her car in the
middle of the night and drives west, fleeing an abusive marriage
and a life she can no longer bear. Eventually, she runs out of gas
and finds herself in Boldville, a sleepy desert town in the
foothills of the Gila Mountains. Joanna was looking for somewhere
to retreat, to hide, but something is off about this place. In a
commune on the outskirts a young man has been found dead and Joanna
knows a cover up when she sees it. Soon, she and Glitter, a young,
disaffected hippie, find themselves caught up in a dark mystery
that goes to the very heart of Boldville, where for too long people
have kept their eyes shut and turned their heads away. A mystery
that leads them all the way back to the unexplained disappearance
of Glitter's grandmother Cornelia forty years before . . . A
captivating, atmospheric new novel from the lauded author of The
Long, Long Afternoon, This Wild Wild Country simmers with secrets,
lies and terrible betrayal, unravelling the lives of three women at
the mercy of their times. Praise for Inga Vesper 'Vesper is
immensely readable' Sunday Times 'Remarkably assured. A tale of
inequality, broken dreams and quiet desperation behind a
picture-perfect facade' Guardian 'A clever and absorbing debut' The
Times 'Beguiling and evocative. This vivid and atmospheric
pageturner will keep readers guessing all the way to its satisfying
finale' Sunday Express 'Beautifully crafted, claustrophobic and
compelling. As delicious as a long drink on a hot day' Stacey
Halls, Sunday Times bestselling author of The Familiars and The
Foundling 'Such a vivid atmosphere of stifling LA heat and stifling
50s domesticity' Clare Chambers, author of Small Pleasures
'Breathtakingly stylish, hypnotic and masterfully gripping' Chris
Whitaker, author of We Begin at the End, Waterstones Thriller of
the Month 'A triumph. What a pleasure to read something fresh and
original. For once the hype is justified and Inga Vesper's gripping
page turner must surely now be bound for Netflix' Evening Standard
'A tasty, tense, page-turning combo of James Ellroy and Kate
Atkinson with a bit of Mad Men thrown in' Liz Hyder 'An atmospheric
tale of repression and style at the heart of the American Dream'
Stylist
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