Fashion is a subject that has long been marginalized in art history
and in museums. And yet, one of the most well-known artists in the
twentieth century - Marcel Duchamp - created works that challenge
the notion that fashion does not belong in the museum. As well,
there is material evidence of his engagement with clothing as part
of his oeuvre. This book reveals that clothing and dressing are
significant themes that recur in Duchamp's life and his work –
including his drawings, his fashioning of his body, his readymades,
and in his curatorial gestures. In examining the items of clothing
worn by Duchamp and the related traces of his wardrobe management,
Duchamp is unmasked as a dandy. His waistcoat readymade series
'Made to Measure' (1957-1961) is in fact a remarkable and
deliberate effort to recalibrate the definition of the readymade to
include clothing. With this little-studied readymade series,
Duchamp established a precedent for sartorial art as a valid form
of artistic expression. In considering the material traces of
Duchamp's fashioning of his body and identity in his work and life,
this book makes a highly original contribution to the understanding
of Duchamp's work as well as the significance of the clothed body
in the vanguard of Modernism. Ultimately, this book explains the
relevance of fashion in the museum to modern audiences today.
General
| Imprint: |
Bloomsbury Visual Arts
|
| Country of origin: |
United Kingdom |
| Release date: |
March 2024 |
| Authors: |
Ingrid E Mida
|
| Dimensions: |
246 x 189mm (L x W) |
| Pages: |
224 |
| ISBN-13: |
978-1-350-23612-7 |
| Categories: |
Books
Promotions
|
| LSN: |
1-350-23612-8 |
| Barcode: |
9781350236127 |
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