In the 12 chapters of this book the authors argue for the universal
presence of music in public space and social relations. The
examples of American, British, Hungarian, Polish and Russian music
serve to elucidate two functions of political music, that of
legitimizing and contesting political power. Both satirical songs
with their ironic commentary on specific events and people as well
as protest songs undermining the system corroborate the universal
character of the legitimizing and delegitimizing function of music.
The book is addressed to readers interested in countercultural
movements and politically engaged music, especially to students of
political studies, sociology and cultural studies.
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