Examining Brazilian and Argentine cinema of the last fifteen years,
this volume charts the emergence of a new concern with the real,
bringing together contributions from leading film scholars and
critics from Latin America, Europe, and the United States.
Comparing 'New Argentine Cinema" and the Brazilian 'Retomada, ' the
contributors read across the boundaries between documentary and
fiction and trace new modes of deploying performance and
re-enactment, found footage, and the interplay between film and
television and theater. They shed light on similarities between and
variations in different Latin American national cinemas' filmic
discourses and production contexts and map these findings onto the
larger context of current film theory.
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