Hip hop has long been a vehicle for protest in the United States,
used by its primarily African American creators to address issues
of prejudice, repression, and exclusion. But the music is now a
worldwide phenomenon, and outside the United States it has been
taken up by those facing similar struggles. Flip the Script offers
a close look at the role of hip hop in Europe, where it has become
a politically powerful and commercially successful form of
expression for the children and grandchildren of immigrants from
former colonies. Through analysis of recorded music and other
media, as well as interviews and fieldwork with hip hop
communities, J. Griffith Rollefson shows how this music created by
black Americans is deployed by Senegalese Parisians, Turkish
Berliners, and South Asian Londoners to both differentiate
themselves from and relate themselves to the dominant culture. By
listening closely to the ways these postcolonial citizens in Europe
express their solidarity with African Americans through music,
Rollefson shows, we can literally hear the hybrid realities of a
global double consciousness.
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Series: |
Chicago Studies in Ethnomusicology CSE |
Release date: |
October 2017 |
Authors: |
J Griffith Rollefson
|
Dimensions: |
162 x 235 x 2mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
304 |
ISBN-13: |
978-0-226-49618-4 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-226-49618-X |
Barcode: |
9780226496184 |
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