Originally published in 1892, this volume provides a general
account of the various aspects of manuscript illumination from
Classical times to the sixteenth century, when the invention of
printing gradually began to put an end to the use of manuscripts.
The text contains a historical sketch of the growth and development
of various styles of manuscript illumination and the chief
technical procedures involved, such as the highly labour-intensive
process of applying gold leaf. Numerous illustrative examples are
also provided. This is a beautifully presented book that will be of
value to anyone with an interest in manuscripts and the history of
art.
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