Chilean New Song (la Nueva Cancion chilena) entranced and uplifted
a country that struggled for social change during the turbulent
1960s and early 1970s, until the 1973 coup that overthrew
democratic socialist president Salvador Allende. This powerful
musical style-with its poetic lyrics and haunting blend of
traditional indigenous wind and stringed instruments-was born of
and expressed the aspirations of rising classes. It promised a
socially just future as it forged social bonding. In Chilean New
Song, J. Patrice McSherry deftly combines a political-historical
view of Chile with a narrative of its cultural development. She
examines the democratizing power of this music and, through
interviews with key protagonists, the social roles of politically
committed artists who participated in a movement for change.
McSherry explores the impact of Chilean New Song and the way this
artistic/cultural phenomenon related to contemporary politics to
capture the passion, pain, and hope of millions of Chileans.
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